Meg Waite Clayton discusses and signs The Last Train to London

Sep 16, 2019  |  7:00PM - 9:00PM

In 1936, the Nazi are little more than loud, brutish bores to fifteen-year old Stephan Neuman, the son of a wealthy and influential Jewish family and budding playwright whose playground extends from Vienna's streets to its intricate underground tunnels. Stephan's best friend and companion is the brilliant Zofie-Helene, a Christian girl whose mother edits a progressive, anti-Nazi newspaper. But the two adolescents' carefree innocence is shattered when the Nazis' take control.

There is hope in the darkness, though. Truus Wijsmuller, a member of the Dutch resistance, risks her life smuggling Jewish children out of Nazi Germany to the nations that will take them. It is a mission that becomes even more dangerous after the Anschluss--Hitler's annexation of Austria--as, across Europe, countries close their borders to the growing number of refugees desperate to escape.

Tante Truus, as she is known, is determined to save as many children as she can. After Britain passes a measure to take in at-risk child refugees from the German Reich, she dares to approach Adolf Eichmann, the man who would later help devise the "Final Solution to the Jewish Question," in a race against time to bring children like Stephan, his young brother Walter, and Zofie-Helene on a perilous journey to an uncertain future abroad. (Harper)

Meg Waite Clayton is the New York Times bestselling author of seven novels, including Beautiful Exiles; the Langum Prize honored The Race for ParisThe Wednesday Sisters, named one of Entertainment Weekly’s 25 Essential Best Friend Novels of all time (on a list with The Three Musketeers!); and The Language of Light, a finalist for the Bellwether Prize for Socially Engaged Fiction (now the PEN/Bellwether). She has written for the Los Angeles Times, The New York Times, The Washington Post, San Francisco Chronicle, Runner’s World and public radio. A member of the National Book Critic’s Circle, she writes a monthly audiobook review for the San Francisco Chronicle.