• All Venues

    Close

Events / Concerts & Live Music (820)

Monday, June 1

All Eyez on Me: The Writings of Tupac Shakur - Extended

GRAMMY Museum

800 W. Olympic Blvd., Los Angeles, 90015

12:30pm

The exhibition explores the GRAMMY-nominated artist’s songwriting talent and celebrates Shakur’s legacy as a magnetic performer, charismatic actor, heartfelt poet and outspoken social activist.

“Tupac Shakur was one of the most original and important of all hip hop artists.  His writings are both powerful and provocative,” said Bob Santelli, Executive Director of the GRAMMY Museum.  “It is an honor to be the first music museum to acknowledge Tupac's legacy and to bring context to what was an incredible career."

All Eyez on Me: The Writings of Tupac Shakur showcases the rapper’s love of words and his talent as a gifted communicator through handwritten lyrics and poems.  The exhibit also features artifacts from his career breakthrough with hip-hop group, Digital Underground and his rise to fame as a solo artist. 

Read More

Story Time in the Galleries

LACMA

5905 Wilshire Blvd, Los Angeles, CA 90036

2:00pm

Ever wonder why dragons love tacos and why crayons decided to quit one day? Join Boone Gallery staff every Monday and Friday at 2 pm in the Korean art galleries as they take us on a reading journey into a world of folk tales and colors. Relate the stories to the art in the Chinese and Korean galleries in a comfortable space suitable for families and children of all ages. Admission is free!

Read More

Jack Garratt (SOLD OUT)

Troubadour

West Hollywood, CA 90069

7:00pm

22-year old singer and multi-instrumentalist Jack Garratt introduced himself to the world with his UK garage-infused piano ballad 'I Couldn't Want You Anyway' in February 2014 and since then has set the blogosphere alight. Successful appearances at multiple festivals have followed as well as his sold out debut London headline shows to coincide with the release of his debut EP 'Remnants' which was released on the 14th July.

Read More

Delta Spirit

Teragram Ballroom

Los Angeles, 90017

9:00pm

The fourth album from San Diego-bred five-piece Delta Spirit, Into the Wide was born in a flood-ruined, cave-like, rat-colonized room in the band's new hometown of Brooklyn. After spending more than a year writing together in the windowless studio they rebuilt after Hurricane Sandy wreaked its havoc, the group resurfaced with a batch of demos and headed to Georgia to team up with Ben Allen (a producer/engineer known for his work with artists like Animal Collective and Deerhunter). Recorded near an old shipping yard in Atlanta, Into the Wide intimately captures the claustrophobia of Delta Spirit's creative space, turning that tension into a moody meditation on the restlessness of city life, growing older, and longing for escape. With its lyrics largely inspired by the murder ballads of Bob Dylan and Johnny Cash, Into the Wide proves more darkly charged than anything the band's ever offered up before but—thanks to their command of both indelible melody and sprawling, atmospheric arrangements—ultimately emerges as Delta Spirit's most gloriously heavy album so far.

For Delta Spirit (vocalist/guitarist Matt Vasquez, multi-instrumentalist/vocalist Kelly Winrich, guitarist Will McLaren, bassist Jon Jameson, and drummer Brandon Young), the raw, nervy energy running throughout Into the Wide stems partly from the band's return to the more free-and-easy approach they embraced in making their debut album, 2008's Ode to Sunshine. "On that first record we had no idea what kind of music we were going to make—we just went up to a cabin and pressed record and went for it without any fear," says Young, who sparked the founding of Delta Spirit back in 2005, when he spotted Vasquez busking in the streets of downtown San Diego. So while Into the Wide continues to push forward in exploring new sonic territory (as on 2010's History From Below and the band's self-titled 2012 release), Delta Spirit have also restored a sense of kinetic flow to their communal songwriting process. "When we were writing there were these songs that we really labored over and tried to polish," says McLaren. "But in the end, those songs didn't belong to us. The tracks that make up the album were the ones that happened quickly and naturally and just instantly felt good to us."

Read More

Tuesday, June 2

Pages