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Events / Concerts & Live Music (811)

Saturday, May 30

Marnie Weber: Twenty Years and Forevermore

Velaslavasay Panorama

1122 West 24th Street, Los Angeles, 90007


Marnie Weber creates works that are at once haunting and mundane, beautiful and dissonant. Ever exploring the American mythos and mining its history for alternate lore, Weber collages powerful women into dangerous, faux fairytale backdrops that nonetheless illuminate very real issues. Through a multiplicity of disciplines, but with a surprisingly consistent focus, Weber creates worlds that parallel our own while invoking hallucinatory cosmologies reminiscent of Hieronymus Bosch or H.P. Lovecraft. For over twenty years, she has chronicled these characters and their environments in moving images and Los Angeles Filmforum is proud to present a broad selection of Webers work, including excerpts from her as yet unreleased first feature entitled, Day of Forevermore plus a live performance by F for Evermore, which includes Weber, Doug Harvey, and Daniel Hawkins.

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Sunday, May 31

Santa Clarita Master Chorale presents Defying Gravity with Featured Guest Stephen Schwartz

Santa Clarita Performing Arts Center at College of the Canyons

26455 Rockwell Canyon Road, Valencia, CA 91355

9:00am to 11:00am

The Santa Clarita Master Chorale will present a very special concert, Defying Gravity with Featured Guest Stephen Schwartz on Sunday, May 31, 2015 at 4:00 p.m. at the Santa Clarita Performing Arts Cen...

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Hudson River School: Nature and the American Vision


5905 Wilshire Blvd, Los Angeles, CA 90036


Drawn entirely from the premier collection of the New-York Historical Society, Nature and the American Vision: The Hudson River School features approximately 45 outstanding American landscape paintings from the 19th century. Among the artists represented in the exhibition are the heroes of the American landscape movement: Thomas Cole, Asher B. Durand, and Albert Bierstadt, among others. Also included are lesser-known artists, some of whom helped the American landscape achieve recognition through the new democratic medium of prints and portfolios.

Arranged thematically by place, the exhibition is designed as a grand tour of the American landscape. The full range of the exhibition demonstrates that the movement extends beyond the Hudson River, with work by artists who reflect both realistic and romantic attitudes toward nature in scenes of New England, the American West, South America, and even the Arctic.

The exhibition culminates with Thomas Cole’s masterpiece, the five large-scale paintings that constitute The Course of Empire (1834–36), a visual feast and meditation about civilization and the potential challenges facing the young country.

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