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Events / Film/TV/Radio (4)

Friday, June 21

The Wrong Man

Cinefamily

611 N. Fairfax, Los Angeles, CA

7:30pm

The Wrong Man shows off a lean, mean Hitchcock on the cold, hard streets of New York — it’s the ‘hood verisimilitude of Sidney Lumet and the gritty, near-documentary B&W approach of the Italian neo-realists, both coupled with surprising amounts of restraint and emotion, all rolled into one densely packed crime drama burrito. Hewing closely to the somber real-life story of Manny Balestrero — an innocent nightclub musician mistakenly identified as the creep responsible for an insurance office robbery — Hitch gives us his noir version of a CSI-style procedural. Henry Fonda is fantastic in the lead, thoroughly losing himself in the role of a quiet, humbled, scared-witless Italian-American everyman. And, as the grim tension ratchets up with every passing scene, we know our hero is completely screwed, yet we’re in awe of Hitch’s myriad maestro touches: every clanking footstep on linoleum, every damp concrete sidewalk, the white-noise roar of every passing subway train, and each terrifying, grimy baby step down the corridors of the archaic NYC justice system.

Dir. Alfred Hitchcock, 1956, 35mm, 105 min.

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Hour of the Wolf

Los Angeles County Museum of Art (LACMA)

5905 Wilshire Blvd., Los Angeles, CA 92656

7:30pm

Kubrick and Co.

1968/b&w/90 min./35mm | Scr/dir: Ingmar Bergman; w/ Liv Ullmann, Max von Sydow, Erland Josephson

An artist retreats with his wife to a forbidding and secluded location so that he can hone his craft. Instead, he is preyed upon by visions and waking nightmares. Are his suppressed memories beginning to surface? Or has the remote island where he’s sequestered cast a spell on him? Ingmar Bergman’s darkly surreal Hour of the Wolf is a fascinating precursor to Kubrick’s The Shining. Max Von Sydow plays the tortured painter, Johan Borg, with full-bodied angst. Co-star Liv Ullmann is his wife, blindsided by her husband’s weird and progressively murderous behavior. The writer/director’s most extreme depiction of the struggles an artist endures when giving birth to his art, Hour of the Wolf’ masterfully blends tenebrous atmospherics and clammy terror. Made between Persona and Shame, this film finds Bergman at ease with experimentation as he delves deeply into the haunting symbolism of the unconscious.  

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Saturday, June 22

Barry Lyndon

Los Angeles County Museum of Art (LACMA)

5905 Wilshire Blvd., Los Angeles, CA 92656

7:30pm

Kubrick and Co.

1975/color/185 min./35mm | Scr/dir: Stanley Kubrick; w / Ryan O’Neal, Marisa Berenson, Leon Vitali, Patrick Magee, Hardy Kruger, Steven Berkoff, Gay Hamilton, Leonard Rossiter.

Kubrick’s ravishing adaption of William Makepeace Thackeray’s novel stars Ryan O’Neal as an unscrupulous chancer who gambles, duels, and seduces his way through the parlors, palaces, and battlefields of 18th-century Europe.  Born into a poor, rural Irish family, Lyndon constantly transforms himself, donning different guises as he drifts through the currents and courts of European gentry in constant pursuit of two prizes that prove most ephemeral: wealth and happiness. Though a stately period film might seem like an odd change of pace for a director best known at the time for A Clockwork Orange and 2001: A Space Odyssey, Kubrick’s technical virtuosity makes for a film as immersive as its predecessors, and every bit as audacious as the picaresque exploits of its (anti)hero. The film’s visual richness is the result of Kubrick’s meticulous attention to historical and technical detail, including wigs made of real hair courtesy of an Italian convent. The film’s exquisite outdoor scenes were based on a careful study of the era’s landscape paintings. Likewise, a special lens—originally developed by NASA for use on satellites—was adapted for a film camera so that cinematographer John Alcott could shoot most of the film’s indoor scenes solely by candlelight.

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Monday, June 24

Doug Benson's Movie Interruption: Point Break

Cinefamily

611 N. Fairfax, Los Angeles, CA

7:30pm

The next installment of Doug Benson’s Movie Interruption, where Doug and his friends (who, in the past, have included everyone from Brian Posehn to Sarah Silverman and Zach Galifianakis) chill on the front row couches, mics in hand, and say whatever hilarious thing pops into their heads while a movie of their choosing unfolds on the screen. This time, Doug & Co. tackle one of their all-time favorites: 1991′s Point Break!.

Dir. Katherine Bigelow, 1991, 35mm, 123 min.

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