The mysteriosos behind Sir Sly are dark knights in the truest sense. Since first making their presence known last summer, the LA outfit have been running the tastemaker underworld with their monochromatic blend of vigilante pop, leaving onlookers with nothing more than a pair of explosive tracks and a hero-shaped shadow to go on. So it's with great pleasure that we're able to pull the curtain back today and unveil our next release, as we bring Sir Sly's debut 7" into the world on Neon Gold next month in conjunction with our UK sister label, National Anthem.

Sir Sly is not one sir but three - Landon Jacobs, Jason Suwito, and Hayden Coplen to be precise - who have been hard at work for the past few months writing, recording and producing all aspects of their debut offering in Suwito's studio. From the arresting cold open to the ever-restless denouement, lead A-single "Ghost" doesn't just pass our every litmus test, it passes right through it, swimming through a fog of wartorn synths and floating with timeless melancholy in an ocean of unforgotten pasts. Elsewhere, the vinyl's AA-side "Gold" - for which the band have put together the perfect visual accompaniment (below) - jangles with moody desperation and reckless abandon, while digital-only B-side "Where I'm Going" delves deeper into the depths of the trio's doom-and-gloom pop noir. 

Katatonia formed in 1991 in Stockholm, Sweden and was brought together by long time friends, Anders Nyström (aka Blakkheim) and Jonas Renkse (aka Lord Seth). After more than a year of rehearsals and composing, the first real fruits of their labour came to light in mid 1992 with the release of the demo 'Jhva Elohim Meth', recorded at Sweden's Gorysound Studio and produced by the multi-musician Dan Swanö. The demo sold out immediately, bringing Katatonia to the attention of Dutch label Vic Records, who went on to re-release the demo as a mini CD, titled 'Jhva Elohim Meth – the Revival'. With the CD selling out fast and their reputation spreading like a wildfire through the underground, the duo knew they would need a fuller line-up to move the band up and forward. So, bassist Guillaume Le Huche (aka Israphel Wing) was enlisted to their ranks, enabling them to perform live in concert for the first time in their career.