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Events (1055)

Sunday, August 28

Monday, August 29

Levitated Mass


5905 Wilshire Boulevard, Los Angeles, CA 90036


Just when you thought you'd figured out what art really is, Levitated Mass by Michael Heizer is where modern art and the Protestant work ethic weirdly intersect, which is to say that a 340-ton granite megalith painstakingly transported over two weeks from Riverside sits in a 456-foot-long slot, and you get to contemplate it all. Clearly, your kid couldn't do that. Forty-five years in the making -- from concept to construction to carefully avoided clusterfuck -- it's whatever you want it to be. Process art? Yes. Land art? Yes. Cubism? Well, yes, depending on where you're standing when you look at it. The exhibition is dedicated to the memory of philanthropist and children's activist Nancy Daly, which makes perfect sense given the fact that many creative discoveries come from children playing with rocks.

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Guillermo del Toro: At Home with Monsters


5905 Wilshire Boulevard, Los Angeles, CA 90036


ou'll find about 500 startling, horrifying and beautiful objects throughout the exhibition including sculpture, paintings, prints, photography, costumes, ancient artifacts, books, maquettes and film. In addition, the exhibition will draw some objects from the Pan's Labyrinth and Pacific Rim director's personal residence-meets-museum, Bleak House. The gallery themes should sound familiar to fans of Del Toro's whimsical horror films: childhood and innocence; Victoriana; magic, alchemy and the occult; movies, comics, pop culture; Frankenstein and horror; freaks and monsters; and death and the afterlife. In addition, one section will be dedicated to a version of Del Toro’s Rain Room—not to be confused with, you know, Rain Room—a favorite spot of his in Bleak House in which a false window and special effects simulate a perpetual thunderstorm.

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Cindy Sherman: Imitation of Life

The Broad Art Center, EDA

240 Charles E Young Drive #2275, 240 Charles E Young Drive #2275, 0



“Cindy Sherman’s work has been a touchstone for the Broad collection since Eli and Edye Broad first encountered it in 1982, and Cindy is the only artist in the collection whose work we’ve acquired so deeply and regularly, for more than 30 years,” said Joanne Heyler, founding director of The Broad. “There are 127 Cindy Sherman photographs in the Broad collection, the largest holding of her work in the world, and inaugurating our special exhibitions with an artist whose work sparked the Broads’ deep commitment to contemporary art could not be more appropriate for us." Most well-known for photographs that feature the artist as her own model playing out media-influenced female stereotypes in a range of personas, environments, and guises, Sherman shoots alone in her studio, serving as director, photographer, make-up artist, hairstylist, and subject. Her decades-long performative practice has produced many of contemporary art’s most iconic and influential images. In her work, Sherman proposes powerful questions about identity, representation, and the role of images in contemporary culture. From screen siren and pin-up to socialite and businesswoman, the roles Sherman depicts through her monumental body of work provocatively engage with contemporary life’s mediated personas and stereotypes, drawing not only from art history but also from the histories of advertising, cinema, and media.  Organized by guest curator Philipp Kaiser, and taking cues from Los Angeles’ role as the mecca of the film industry, this exhibition foregrounds Cindy Sherman's engagement with 20th century popular film and celebrity. The exhibition features an expansive representation of Sherman’s photographs from throughout her influential career of more than four decades, as well as Office Killer, the 1997 feature film directed by the artist. Her widely known Untitled Film Stills series, as well as the less known rear projection series, both inspired by cinema of the 1950s and 1960s, play a central conceptual role in the show, and the show includes many works never before exhibited in Los Angeles. “She is one of the most important artists of our time, with a body of work that exemplifies the Pictures Generation—artists whose work came to fruition in the age of the proliferation of mass media imagery in the ‘80s, which is relevant to today’s image-saturated world,” said Kaiser.


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Patrick Duffy discusses and signs Man from Atlantis

Book Soup

8818 Sunset Boulevard, West Hollywood, CA 90069


Dive deeper than ever before and discover the origins of "The Man from Atlantis." 
When TV unveiled the series "Man from Atlantis" no one knew the how, where and why of Mark Harris. Over time the show’s star Patrick Duffy formulated his own version of the history of Mark and his people. Here at last is the book that gives every reader and fan of the show the life and mythology of Atlantis, who they were and where they came from. Patrick Duffy’s close connection to his fictional character gives us a special look "behind the scenes" of this amazing fantasy story.  Mark Harris, the Man from Atlantis, has been quietly living under the protection of Dr. Elizabeth Merrill who saved his life in 1976. By studying his abilities the two have contributed countless advances for mankind’s development. 
Only a select few know his true identity: Jason the whiz kid of the science lab. 
Stacy the bright young intern who is constantly flustered by Mark’s presence. 
Dr. Nagashima, a master of oceanic knowledge who Elizabeth lured from Japan to join her inner circle. 
Then their California ocean side laboratory is shaken when several attempts are made upon Mark’s life. He discovers the assailants have powers similar to his and he is lead into the uncharted depths of the oceans. As he discovers his past Mark’s origins and genealogy finally come to the surface. 
Includes photos from the author's personal collection.

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"My Internship in Canada"

Aero Theatre

1328 Montana Ave., Santa Monica, CA 90403


Director Philippe Falardeau in person! Our contemporary Canadian film series continues with the political satire, MY INTERNSHIP IN CANADA, directed by Philippe Falardeau who joins us for a post-film discussion. (The film was the winner of the Toronto Film Critics Association’s Best Canadian Feature award.)

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An Evening with Kareem Abdul-Jabbar

New Roads School

3131 Olympic Boulevard, Santa Monica, CA 90404


discussing his upcoming book, WRITINGS ON THE WALL:
Searching for a New Equality Beyond Black and White.
Kareem Abdul-Jabbar
is the NBA’s all-time leading scorer and a Basketball Hall of Fame inductee. Since retiring, he has been an actor, a basketball coach and the author of eleven books, many of them New York Times best sellers, including What Color is My World?, which won the NAACP Image Award for Best Children’s Book. Abdul-Jabbar is also a columnist for Time Magazine and The Washington Post, writing on a wide range of subjects including race, politics, age and pop culture, and his essays and columns have also appeared in the Huffington Post, in the Los Angeles Times and on Esquire.com, among other publications. In 2012, he was selected as a U.S. Cultural Ambassador. 

Since retiring from professional basketball, Kareem Abdul-Jabbar has become a lauded observer of culture and society. He now brings that keen insight to the fore in Writings on the Wall: Searching for a New Equality Beyond Black and White. He uses his unique blend of erudition, street smarts and authentic experience in essays on the country’s seemingly irreconcilable partisan divide – both racial and political, parenthood, and his own experiences as an athlete, African-American, and a Muslim. The book is not just a collection of expositions; he also offers keen assessments of and solutions to problems such as racism in sports while speaking candidly about his experiences on the court and off.

Timed for publication as the nation debates whom to send to the White House, the combination of plain talk on issues, life lessons, and personal stories places Writings on the Wall squarely in the middle of the conversation, as many of Abdul-Jabbar’s topics are at the top of the national agenda. Whether it is sparring with Donald Trump, within the pages of TIME magazine, or full-length features in the The New York Times Magazine, writers, critics, and readers have come to agree on what The Washington Post observed: Abdul-Jabbar “has become a vital, dynamic and unorthodox cultural voice.”

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