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Events (1446)

Friday, May 6


Aero Theatre

1328 Montana Ave., Santa Monica, CA 90403


It's "Orson Welles 101" with this birthday double feature of films the legendary actor-director made in virtual exile. He stars as Falstaff in CHIMES AT MIDNIGHT, one of the all-time great Shakespearean adaptations, followed by F FOR FAKE, his delightful essay on the nature of illusion, fakery and fakers. Film historian F.X. Feeney will introduce the program.

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611 N. Fairfax, Los Angeles, CA


Live Set from DJ Totally Abuse

35mm print courtesy of the Sundance Collection at the UCLA Film & Television Archive

Before A Scanner Darkly and Dazed and Confused, there was Slacker: Richard Linklater’s made-on-a-microbudget filmmaking debut. To describe it as “slice of life” would be a serious injustice; it’s more like that fly on the wall took ‘shrooms and went for a buzz around town, viewing the mythically weird Austin, Texas through an ADD-riddled, psychonautic lens. Behind the initial facade of mundane city action and eccentric characters, the camera becomes an omnipotent “eye in the sky,” flitting between deep explorations of daily life and easy distractibility—including breaks in the fourth wall—in what is now considered hallmark Linklater style.

The perfect close to our Underground USA series (stick around for the after-party!), Slacker is pure, early-90s grunge metropolitanism, so gritty, so adherent to reveling in the vivid and complex lives of strangers, that it holds a place as one of our favorite indie flicks. Besides, who can forget the scene about Madonna’s pap smear?

Dir. Richard Linklater, 1991, 35mm, 1991


- See more at: http://www.cinefamily.org/films/underground-usa-indie-cinema-of-the-80s/...

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Blaqk Audio (SOLD OUT)


9081 Santa Monica Blvd., West Hollywood, CA 90069


"Working from the dark electronic tones set free on AFI's most recent records, Decemberunderground included, Havok and Puget fully indulge their inner eyeliner-wearing '80s club kids here: 'Stiff Kittens' and 'Where Would You Like Them Left?' recall Depeche Mode at their most disturbing, while 'Wake Up' and 'The Fear of Being Found' tread more quietly but with no less determination. ... Havok and Puget borrow from their forebears but inflate these tracks with their own odd brilliance (and flourishes, and beats). Fans of AFI, and anybody who never heard a blackish blast of modern electronic music they didn't like, ought to investigate Cexcells." --AllMusic.com

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