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The first section of the exhibition, The Ultimate Icon is dedicated to the Western archetype, the cowboy. Artworks and quotes contrast nostalgia developed in the late 19th century - embodied in the rugged white individualist - with the not-so-glamorous reality of diverse working cattlemen. The excitement of Frederic Remington’s turn-of-the-century bronze, Rattlesnake is matched in recent sculptures by Harry Jackson and Herb Mignery. Doug Owen’s life-size horse made from car parts offers a more ironic point of view. Paintings by Bill Owen, Bill Anton, and others portray the lives of today’s cowboys, whereas others depict rodeo riders: the icon made contemporary.
CAAM’s new facilities opened its doors to visitors during the 1984 Summer Olympics, a time when the world came together to celebrate cultural diversity and common goals. The glass ceiling lobby of the CAAM, where the abundant California sunshine fills the space, creates a warm welcome for everyone who walks through its doors. Large white walls make for the perfect floor-to-ceiling exhibition space, which is filled with a rotating collection entitled the Courtyard Series. “We get to play,” says Visual Arts Curator Vida Brown with a bright smile. Visitors are immediately encouraged by the friendly museum staff to explore the courtyard’s art offerings. From Women’s Hands portrays the art of five artists, all women of color, whose work is inspired by different aspects of the female experience in society. The fragile looking metal knit dresses by Kristine Mays look almost liquid from a distance, but as one steps closer the rigid-metal links begin to speak of strength and a solid identity.
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On Nov. 3, 2014, LAMOTH is opening a special exhibit and learning experience based on original artifacts from Mona Golabek’s personal collection of photos and documents related to her book, “The Children of Willesden Lane.” The book chronicles the extraordinary life story of Golabek’s mother Lisa Jura, who as a young teen, was forced to leave her family in Vienna, travel to London in a Kindertransport and live out World War II as a refugee. The Kindertransport (German for “children transport”) was a rescue mission that took place during the nine months prior to the outbreak of World War II. The United Kingdom took in nearly 10,000 predominantly Jewish children from Germany, Austria, Czechoslovakia, Poland, and the Free City of Danzig. The children were placed in British foster homes, hostels, schools and farms. In many cases they were the only members of their families who survived the Holocaust.
Mona Golabek is an author, recording artist, radio host and internationally acclaimed concert pianist. A Grammy Award nominee, Golabek has received numerous accolades, including the Avery Fisher Career Grant and the People's Award of the International Chopin Competition. She is the subject of several PBS television documentaries, including "More Than the Music," which won the grand prize in the 1985 Houston Film Festival, and "Concerto for Mona," featuring Golabek and conductor Zubin Mehta. She has appeared in concert at the Hollywood Bowl, the Kennedy Center, Royal Festival Hall and with major orchestras and conductors worldwide.
The work of Mona Golabek and her sister, the late concert pianist Renee Golabek-Kaye, was inspired by the words their grandmother Malka said to her daughter at the Vienna train station, as Lisa boarded the Kindertransport for safety in London. "Hold on to your music," Malka told her. "It will be your best friend."
The exhibition will feature original music, audio guide narration and reflection by Mona Golabek. Admission is free. For more information, visit the LAMOTH website at www.lamoth.org.