Hollywood / article (21)

Billy Schenck - "A River Runs Through It" at The Autry

The Autry Presents "New Acquisitions Featuring the Kaufman Collection"

08/10/2015

Discover Los Angeles

The first section of the exhibition, The Ultimate Icon is dedicated to the Western archetype, the cowboy. Artworks and quotes contrast nostalgia developed in the late 19th century - embodied in the rugged white individualist - with the not-so-glamorous reality of diverse working cattlemen. The excitement of Frederic Remington’s turn-of-the-century bronze, Rattlesnake is matched in recent sculptures by Harry Jackson and Herb Mignery. Doug Owen’s life-size horse made from car parts offers a more ironic point of view. Paintings by Bill Owen, Bill Anton, and others portray the lives of today’s cowboys, whereas others depict rodeo riders: the icon made contemporary.

July 4th Fireworks Spectacular at the Hollywood Bowl

The Hollywood Bowl: The Story of an L.A. Icon

05/01/2015

Elina Shatkin

After playing home to concerts, theatrical productions and an Easter Sunrise service, the Hollywood Bowl kicked off its first official season in the summer of 1922. It was a barebones experience for spectators, who sat on temporary wooden benches to watch Alfred Hertz conduct the Los Angeles Philharmonic. The scenery and the sounds, however, were hard to beat. Located in a bowl-shaped area of the Hollywood Hills that was once called Daisy Dell, the spot where the venue now stands was chosen, in part, for its natural acoustics. Those are amplified by electronics as well as the bandshell with its distinctive white arches. It's actually the Hollywood Bowl's fourth bandshell. The first two were designed by Lloyd Wright, son of architect Frank Lloyd Wright.

L.A. Story Spotlight: Donelle Dadigan

05/09/2014

Discover Los Angeles

Visitors should set aside at least an hour to explore the museum, which includes Max Factor’s world-famous make-up rooms, where Marilyn Monroe became a blonde and Lucille Ball became everyone’s favorite redhead. Displays include everything from Max Factor’s unique “Beauty Calibration Machine” to Monroe’s million-dollar dress and Hannibal Lecter’s cell from The Silence of the Lambs.

“My mother was an educator, my father was an educator, and I was an educator,” says Dadigan. “So my mother and I, we realized - harkening back to our times of being school teachers - that the best way for us to get our children and our students to be interested in the subject that we were teaching was that we had to entertain them. If we entertain them, they couldn’t help but open their minds to what they were being taught.”

She continues, “So we felt if we take that component and put it in a museum, showcasing what we think is the number one export of Los Angeles - Hollywood - we couldn’t help but have an opportunity for visitors from all the around the world to come and see this.”

Pages